Graduate Research Colloquia: Dr Bethan Winter (University of Oxford)

Harmonizing Nations: Classical Music and Cultural Diplomacy between East Germany and Japan during the Cold War

Abstract

The study of cultural diplomacy in the twentieth century has long been dominated by a focus on the superpower dynamics of the Cold War, often portraying smaller states as passive actors beholden to the agendas of their respective hegemons. This pericentric study of East German-Japanese relations challenges that narrative by demonstrating how East Germany actively leveraged classical music to transcend ideological divides and foster normalized diplomatic and economic ties with Japan, even amid the geopolitical constraints of the time.

Through choral and orchestral tours and scholarly exchanges, East Germany projected itself as the steward of German cultural heritage, capitalizing on Japan's profound admiration for German classical music. Additionally, the involvement of non-state actors, exemplified by Japanese pianist Noboru Toyomasu's collaboration with GDR Bach scholars, further enriched these cultural ties, demonstrating the significance of individual agency in cultural diplomacy.

This case study underscores the strategic use of music as a tool for diplomacy, the interconnectedness of cultural and economic relationships, and the critical role of smaller states in shaping international relations during the Cold War. It illustrates how East Germany successfully employed cultural, and specifically musical, diplomacy to navigate a polarized global landscape, leaving a legacy of enduring cultural and diplomatic connections.

Image
250204 bethan winter

Biography

Dr. Bethan Winter is a social and cultural historian specializing in the Cold War, with a focus on the German Democratic Republic and its international relations. Currently a postdoctoral associate member of the History Faculty at the University of Oxford, she has previously held lectureships in both History and Music at Magdalen College, Oxford, as well as teaching for DPIR. Bethan will soon take up a Mieroszewski Scholarship in Warsaw, where her research will focus on East-East relations during the Cold War.

Rémy Ballot and OUO Solo Players - Bruckner: String Quintet, Mathilde Kralik: Nonet

Following their successful chamber ensemble programme of Mozart and Strauss last January, violinist and conductor Rémy Ballot is joined by a chamber ensemble drawn from members of OUO to give a concert that presents Bruckner’s resplendent String Quintet alongside the work of his student, Mathilde Kralik. Kralik’s Nonet is scored for the rare combination of clarinet, bassoon, two horns, string quartet and piano.

Music, Indigeneity and the Right to Listen

A journey through three Listening Circles and The North American Indigenous Songbook

Migration, Performance & Policy seminar

From Iranian Classical Music to Bad Bunny: Resistance and Global Cultures in France, Canada and the US

All Souls Seminars in Medieval and Renaissance Music: Davitt Moroney (University of California, Berkeley)

Solo violin masterclass with Rémy Ballot

The Oxford University Orchestra is delighted to welcome distinguished violinist and conductor Rémy Ballot for a solo violin masterclass in Balliol College Chapel.

Faculty of Music Lunchtime Recital Series

Rilke’s Poetry