Graduate Research Colloquia: Dr Rebekah Okpoti (Liverpool Hope University)

'Domesticity and The Girly Organist'

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rebekah okpoti

Abstract

Interventions into Domesticity through The Girly Organist Project. This book project considers spirituality and Domesticity through creative practice interventions. Anne Lister, John Ruskin, Adelaide Watt & Finding Home present new insights into Domesticity. 

Biography

Rebekah Okpoti's research focuses on Musicology, Creative Practice, Culture and Librarianship and how they work through History and with other fields.  It includes Sonic Installation Art, Domesticity, Composition and the Pipe Organ within a variety of communities. Much of her work is interdisciplinary and looks at the relationships between culture and practice across time through platforms such as The Girly Organist  which explores hyper-femininity, feminine identity and ritual in church music.

Joanna MacGregor Masterclass

Contrapunctus: Charles & Isabel - The Royal Wedding of 1526

Oxford’s renowned early-music consort Contrapunctus recreates the musical world surrounding one of the great royal marriages of the Renaissance: the wedding of Charles V, Holy Roman Emperor and King of Spain, and Isabella of Portugal in Seville in 1526.

Composition workshop with Oxford International Song Festival

Abolition Song and its Legacies

This is the final event of a two‑year research project, bringing together music, scholarship and contemporary reflection. Alongside performances, the hour‑long programme features contributions from the project’s researchers, offering insight into the historical and musical contexts behind the work.

Migration, Performance & Policy seminar

From Underground Rap to Tribute Song: Politics and Labour Migration in Nepal and the Philippines.

Children’s Music-Making in the Institution