Ensemble Isis | Tansy Davies

featuring works by student composers

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Ensemble Isis, Tansy Davies

Tickets £25 stalls / £10 students (tickets free for all music students / Music Faculty members)

  Soul Canoe (2019) small black stone (2000) grind show (electric) (2010) plus works by student composers   This day of events is the culmination of the third Ensemble Isis <edge> residency in which an inspirational contemporary composer works closely with the student performers and composers from the Faculty of Music. Tansy Davies (b. 1973) characterises the role of the solo saxophone in her 2004 work Iris as that of 'a shaman, or one who walks between worlds'. In doing so she also describes herself - a musician whose boundary-breaking curiosity makes her a truly distinctive voice. With a background as a horn player, electric guitarist and vocalist, Davies studied composition with Simon Bainbridge at the Guildhall School of Music & Drama and with Simon Holt at Royal Holloway. The recipient of a 2009 Paul Hamlyn Award, Davies has written works for numerous world-class orchestras, including Tilting (2005) for the London Symphony Orchestra and Wild Card, premiered by the BBC Symphony Orchestra at the 2010 Proms. Her music has been championed internationally by ensembles including the Toronto Symphony Orchestra, BBC National Orchestra of Wales, Orkest de Ereprijs, Ensemble intercontemporain, the Tokyo Symphony Orchestra, and The Israel Contemporary Players, and at festivals including MaerzMusik, Leeds Lieder, Ultima, Présences, and Warsaw Autumn.  

Davies has taught at the Royal Academy of Music, London, and was Associate Professor of Composition at the Jacobs School of Music, Bloomington, Indiana. Recent projects include Plumes (2019) for Royal Northern Sinfonia and Soul Canoe for Asko|Schönberg - the latter commissioned as part of a season-long residency at Amsterdam's Concertgebouw in 2018/19. In 2022 Davies composed Stone Codes for percussionist Konstantyn Napolov and the Orkest de Ereprijs for November Music, which received its Polish premiere at Warsaw Autumn in September 2024. In 2024 Asko|Schönberg premiered Canopies of Liquid Light, a 24-minute work scored for the same forces as Steve Reich's City Life. 2024 also saw the premiere of The Ice Core Sample Says at Leeds Lieder, a new setting of her longtime collaborator Nick Drake for Ema Nikolovska and Joseph Middleton.

6pm pre-concert talk by Tansy Davies; free to attend, more information here.

Rémy Ballot and OUO Solo Players - Bruckner: String Quintet, Mathilde Kralik: Nonet

Following their successful chamber ensemble programme of Mozart and Strauss last January, violinist and conductor Rémy Ballot is joined by a chamber ensemble drawn from members of OUO to give a concert that presents Bruckner’s resplendent String Quintet alongside the work of his student, Mathilde Kralik. Kralik’s Nonet is scored for the rare combination of clarinet, bassoon, two horns, string quartet and piano.

Music, Indigeneity and the Right to Listen

A journey through three Listening Circles and The North American Indigenous Songbook

Migration, Performance & Policy seminar

From Iranian Classical Music to Bad Bunny: Resistance and Global Cultures in France, Canada and the US

All Souls Seminars in Medieval and Renaissance Music: Davitt Moroney (University of California, Berkeley)

Solo violin masterclass with Rémy Ballot

The Oxford University Orchestra is delighted to welcome distinguished violinist and conductor Rémy Ballot for a solo violin masterclass in Balliol College Chapel.

Faculty of Music Lunchtime Recital Series

Rilke’s Poetry