Professor Susan Wollenberg

SELECT LIST OF PUBLICATIONS

monographs and co-edited volumes

author:

Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011, available online)

Music at Oxford in the Eighteenth and Nineteenth Centuries (OUP, 2001)

co-editor and contributor:

Women and the Nineteenth-Century Lied, with Aisling Kenny (Ashgate, 2015, available online)

The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire, with Therese Ellsworth (Ashgate, 2007, available online)

Concert Life in Eighteenth-Century Britain, with Simon McVeigh (Ashgate, 2004, available online)

SPECIAL JOURNAL ISSUE

editor and contributor:

‘Fanny Hensel (née Mendelssohn Bartholdy) and her Circle’ (Proceedings of the Bicentenary Conference, Oxford, July 2005) in: Nineteenth-Century Music Review, 4/2 (2007)

BOOK CHAPTERS

‘Music for Connoisseurs and Amateurs: C.P.E. Bach and the Keyboard’, in: Interpreting Historical Keyboard Music: Sources, Contexts and Performance, ed. Andrew Woolley and John Kitchen (Ashgate, 2013, available online)

‘Text-Music Relationships’, in: the Cambridge Companion to Schubert’s Winterreise, ed. Lisa Feurzeig and Marjorie Hirsch (CUP, 2021, available online)

‘Songs of Travel: Fanny Hensel’s Wanderings’, in: The Songs of Fanny Hensel, ed. Stephen Rodgers (OUP, 2021, available online)

‘Clara Schumann and Bach’, in: Clara Schumann Studies, ed. Joe Davies (CUP, 2021)

‘James Lates of Oxford and his Sixteen Minuets’, in: British Music, Musicians and Institutions, c. 1630–1800: Essays in Honour of Harry Diack Johnstone, ed. Peter Lynan and Julian Rushton (Boydell, 2021)

‘Where are we now? Studying and teaching women composers post-Citron’, in: the Routledge Handbook of Women’s Work in Music, ed. Rhiannon Mathias (Routledge, 2022)

‘Concert Life in Georgian Oxford’, in: The Unloved Century: Georgian Oxford Reassessed, History of Universities, vol. xxxv/1 (OUP, 2022)

FORTHCOMING PUBLICATIONS 2023

co-editor and contributor:

The Cambridge Companion to Women Composers, with Matthew Head (CUP)

Women Composers in New Perspectives, 1800-1950: Genres, Contexts and Repertoires, with Mariateresa Storino (Brepols)

Music in Twentieth-Century Oxford: New Directions, with Robin Darwall-Smith (Boydell)

ONLINE RESOURCES

contributor:

https://idag.io/SongandBeyond_Todd_Wollenberg (conversation: songs of Fanny Hensel)

https://www.womensongforum.org/2022/07/05/a-guide-to-clara-schumanns-songs-part-i/

https://www.womensongforum.org/2022/07/31/a-guide-to-clara-schumanns-songs-part-ii/

Research interests in 18th- and 19th-century music, keyboard music, social history of music in England, c. 1700–2000, and the study of women composers.