Professor Jennifer Walshe

Professor Jennifer Walshe

Professor Jennifer Walshe

Professor of Composition

Fellow & Tutor in Music, Worcester Colllege

“The most original compositional voice to emerge from Ireland in the past 20 years” (The Irish Times) and “Wild girl of Darmstadt” (Frankfurter Rundschau), composer and performer Jennifer Walshe was born in Dublin, Ireland. 

Her music has been commissioned, broadcast and performed all over the world. She has been the recipient of fellowships and prizes from the Foundation for Contemporary Arts, New York, the DAAD Berliner Künstlerprogramm, the Internationales Musikinstitut, Darmstadt and Akademie Schloss Solitude among others. 

Many of Walshe’s recent projects focus on the planet Mars, using it as a lens to think through the most pressing issues of our time. Notable projects from this series include MARS I, for Klangforum Wien and Some Notes on Martian Sonic Aesthetics 2034-51 for Ensemble Modern, culminating in MARS (2025) for Irish National Opera. 

Another recent project is the music-theatre work The Alonetimes, written with Philip Venables, which premiered at the Fondation Cartier in Paris in April 2026. Walshe has worked with AI for over a decade, and her book 13 Ways of Looking at AI, Art & Music was published by Unsound in 2024. A Spanish translation was published by Alpha Decay (Barcelona) in 2025. 

Recent albums include In the Merry Month of May (Blue Chopsticks, 2024), Walshe’s duo album with Tony Conrad, which was chosen as an album of the year by The Wire, The Vinyl Factory and KLOF Magazine. Walshe’s double album An Gléacht/Dordán (Diatribe, 2024) received the Académie Charles Cros Coup de Cœur for Experimental Music. 

Her work has been profiled in many publications including The New Yorker. 

For information on Professor Walshe, please visit http://milker.org/jenniferwalshebiography