All Souls Seminars in Medieval and Renaissance Music: Andrew Kirkman (University of Birmingham)

'Made to measure or prêt à chanter? The court of Wilhelm IV and the later Alamire manuscripts'

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Seminar in Medieval and Renaissance Music

Presenter: Andrew Kirkman (University of Birmingham)
Title: Made to measure or prêt à chanter? The court of Wilhelm IV and the later Alamire manuscripts
Discussants: Thomas Schmidt (University of Manchester) and Zoe Saunders (Independent scholar)

 

The Alamire codices have traditionally been seen as diplomatic gifts, or at the very least commissions from magnates and super-rich aficionados. This article argues that for most of the later, paper codices at least, the sequence happened in reverse: in other words they comprised workshop material that was first produced and then sold once buyers could be found. The same conclusion prompts also a review of the construction of some of the more elegant, parchment sources, and the proposal that the 'bespoke' aspects of such codices may have extended no further than their opening-and hence most immediately visible-pages.

Joanna MacGregor Masterclass

Contrapunctus: Charles & Isabel - The Royal Wedding of 1526

Oxford’s renowned early-music consort Contrapunctus recreates the musical world surrounding one of the great royal marriages of the Renaissance: the wedding of Charles V, Holy Roman Emperor and King of Spain, and Isabella of Portugal in Seville in 1526.

Composition workshop with Oxford International Song Festival

Abolition Song and its Legacies

This is the final event of a two‑year research project, bringing together music, scholarship and contemporary reflection. Alongside performances, the hour‑long programme features contributions from the project’s researchers, offering insight into the historical and musical contexts behind the work.

Migration, Performance & Policy seminar

From Underground Rap to Tribute Song: Politics and Labour Migration in Nepal and the Philippines.

Children’s Music-Making in the Institution